It’s somewhat incredible to discover that the “Revenge From Mars” pinball table, which is one of the four machines that I’ve ever played to the point of intimate knowledge and quasi-expertise, now is the subject of a full-length documentary film. I knew the game was noteworthy for its hybrid nature — part traditional pinball, part videogame — but I had no idea it represented a revolutionary (and controversial) attempt to save the doomed pinball industry.
I played on this table over a multi-year period in college at the Gatekeeper, a dive bar in Middletown, Conn., also notable for its steamed cheeseburgers and homemade beef jerky. I was decent at “Mars,” but a woman in the class ahead of me was far superior. I eventually owned the top score on “Theater of Magic,” which was installed at Wesleyan’s campus center and became an obsession over the course of my senior year. The other two pinball tables that have figured prominently in my life are, above all, the “Comet” table by Williams, which my uncle owned and left at my family’s house for a few years when I was 7, and “Indiana Jones: The Pinball Adventure,” which the local hotdog resturant had in residence for many years when I was in middle school and high school.
I’m sure there are pinball obsessives who know about the personalities and achievements of the legendary pinball designers. This documentary, “Tilt,” looks like it’ll give me a taste of that world.
The plan is to suspend the usual stuff-I-saw-on-the-Internet blogging for the next two weeks in order to do as much stuff-I-saw-in-China blogging as time and Web access allow. If all goes well, it should be more photos and less links.
I’m getting on flight to Beijing (via a Tokyo pit stop) in four hours. More when my brother and I reach the other side of the world.
Had Dino Run been released during the actual 8-bit Atari age, I do believe it would’ve been a hit. The gameplay is silky smooth, the constant running pace is excellent, and the balance of priorities (outrunning the black smoking fallout of dinosaur extinction vs. finding eggs to preserve your species and earn continuations) is a great stress enhancer. Plus, the music! Why don’t do they do music like that any more?
My favorite details: the running dino visibly craps himself as the wave of doom approaches, and surviving a close brush with death is considered an achievement (“doom surfing,” my best time was seven seconds).
Here’s the review from Play This Thing. And here’s the game itself.
New feature here at OSP. Over on the right-side hyperlinkalley, you’ll notice a new entry that takes you to my shared items on Google Reader. I guess you’d have to term that feed a blog of all blogs I read, with a notability threshold that keeps out the riff raff. A meta-blog, in other words. In a way, however, its more honest than my prime blog because it shows even better than a “via” link where I do my reading. Although far from transparent, I think the online world would be a better place if eveyone offered an RSS consumption digest like this.
Thank you, Google Reader, for continuing to be the best application ever. (If you use Google Reader yourself, which you really ought to, then by all means add me as shared item-friend and let me know in the comments so I can add your items to my feed.)
1. “Lie Down in the Light,” Bonnie ‘Prince’ Billy
Will Oldham is freakishly prolific, and this is very possibly his best album since 1999’s “I See a Darkness.” (Side note: it’s been freaking nine years since “Darkness” came out?) Couldn’t find a playable link for “So Everyone,” my favorite track at present and a song described by a half-sleeping Claire as “very romantic.” Here’s a download link.
2. “Arm’s Way,” Islands (listen)
The previous Islands album, “Return to the Sea,” flew completely under my radar until fairly recently. This one is better all around. Much to like on “Sea,” but many of the songs suffer from quasi-annoying interludes sandwiched between killer fragments. A lot of the stuff didn’t quite gel. The new album is much more cohesively poppy and, although somewhat slipshod at times, also more slickly produced. Here’s a winning upbeat track:
As long as we’re on the subject, I find this Islands performance video transfixing (in part, I admit, due to the very attractive female singer in the band). That link is from La Blogotheque, which is fantastic and something worth exploring thoroughly.
A robot conducting an orchestra, with life-like hand gestures that will terrify and astonish.